A ($comic c-elebratio.n of- ]#dreamers a+:+nd the+ir:]- dreams, LIVING I+^N OBLIVIO=(*N ^(is the second film %::written and dire(%ct/+ed by Tom= DiCil]lo. With a tone-  t- hat teeters(^ som:/(e^( wh%ere betwe`=en Kafk?. a a:nd ?`th#.e Marx B:;.rothers,-; it chroni+cles t.+$
he _hilarious misadventu?:\,res of a gr;)/[oup of people^% who?; ^have jo@`ine$d togethe$r
(` to accomplish \one of the most@ d=;%i:,fficult goa- ls imaginable - th[ =e making of=/^ a low\^-budget independe \nt ?film. With an innovative#[ and /su^`+r]:p^rising structure that ^shif.%ts $fluidly betwe?[ en the mo_vie be!in +_`g made\]) a;(,nd = those;
 ^making it$(, the film offers #?a $[/;?rare and accurat@e -- if comically heightened -- loo
#k behind-the]-sc^%enes, with t@he? peop_le who make)) the ) scen/ =$es. ;][H =[=ow they make t;=hem --%+ and`[
 the (fact=_ that th [e+y manage t o_ make them at all
:^ [(+--; is what /LIVING IN OBLIVION$ is all about-_%.　　St^;]a!#r@./rin=(-g[+ *@S$/^teve Bu!s$-?cemi as= d`!ire c]tor (/Nick Reve, L(,IVING IN O `BLIVION_( highlights a =da^) y on the s;$et of) Nick's film where e;[veryth;(ing that could possibly go wr`,ong,) a,;.ctu*^a$+$lly=,$) does. Struggling again/
st e\v\.]er-escalat.$ing od#@ds t)o m?-,a%in\(+^tain h;:is integr ity and hi]$,s sanity, Nick is bot %h helpe\=` d and @hi;n%/dered \ by his bum#_(bling,,? if w#ell-in$te=(` n+tioned crew, headed by his^ cinema]to^grapher %+Wolf (Dermot Mulroney), a cameram^an w*
hos:e leath*er ge*[+a]#(:r sugg ests that he `is$ mor(=e inspi:[ r^e\@d  by Billy Idol th`an Sven Nykvist; ?*a le*ading l!ady, Nic*ole (Catherine K
/^eener), a/ talented b!ut neur: otic a\
ct`],ress wh@*o is /^in$vol+
ved in:: a romance and a ri?v:.^alry .with he /#r leading man, Chad Palomin)o (Jame%@\`s Le Gr\os,),,; [\an iron-will)ed.@ a%/[ssis +t# a=nt+ dir:#e_;ctor, Wanda (Danielle Von Zerneck); a.,nd, for/[ the first time *$eve@r on-scr e
en, a Gaffer.