Lik:;e%\!# h!is: fi.
ery study of a popular milieu%  in Fièvre,) Louis Dellu/%c's e$ /.a.[rly masterpiece of impre\ssionist cinema`+, La Femme de Nulle Part, is\+ almost im@possible to see o;= ^.utside of ,/)rare $-archiva [l proj__/ect#,;ions in P[^aris. Shot in natur#?al setti%$
ngs, :!and str@:ippe!d of a`ll that] is /;n%ot c^-in;_\e?`#ma, De]*^]llu=[c:-'*_s]- psychol#[/ogical d@/ram;]a$; fe@#$atu +`ring )sym .bolist muse Eve Fran(ci
$_s is a@=*n experiment ?@?/in 'direc;(.t style.' A fascinating study in th]- e @relationship ^[b(et.:ween past an*d pr
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y, d*]ream and reality, this revo(,lutiona.!]ry film w.$:ould be a sour? ?/ce o+f in; #spirati*]*on fo%r% successi ve film=:mak`#ers, f*r)om= Francois Tr_!!uffaut* ]( to Alain Resnais.