康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养[#家糊口的!方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受@_到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂@^;(文开始用它来为一整天的游客提供^$ 更赚钱的, 旅游。他 *#*们卖掉了这座家庭别墅，现在看来#.，最后一场战斗是和新主人在海边!的停车位上展开。然而，情况 很快就$失控了，而不) :仅仅是因为车轮夹钳。　　Bait是一种黑白，# 手工制作，16毫%米胶片制作的电影($。许=:`多关于.,鱼、;* \网%$`、龙虾、长靴、绳结和渔篮的特写镜头%让人想 %起了蒙太$ 奇景点的理论。对不同社会阶层的描述——.可以!/说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像 ,中不同层!!# 次的电影历史参[ #
考(文献$之下，当前许多$; ?政治关联正在等待被发现。　　The pictur^[e--:p,ostcard idyll of t?he Cornwall :/fis%;hing vil=lage is ^$mislea ``ding. While fishing us %ed`]
t;%o be a w_ ay o) f `[s/.@upp`=or\;]t ing on,*)eself, wealthy $[Lond on t ou$*rist=s have now desc#.ended and are displ?ac%;ing the loca,ls,; )#\ w!#*@hose l,.*ivelihoo%(=d is`] 
thus *% t(*!hr]eatene= d. The -_relationship between br.o* !the:rs Steven and ,.[Martin is 
also stra
in\ed. Mar$tin is a fi^sherm^an without _a boat, s,$i *nc%(e Steven sta!rted:(^ u\)sing it f_or far*$
 mor]%e lucrative tours for all t(/)he/$ [da
?y-^.;t).ripp%$_ers@,_. The$!y.’ve s;old the family! cottage and+ now ])it ]=seems t$^h=at the final b\)attle! to!]_* $be $\fought ;%is that_\/$ with the,@ ^n^(^ew owners ove[r the par.,king -space n(_ext to the sea
!. Y@.et the situation-+ soon get?)s*+ out of$ hand, and? not just  because of the w
hee?
l clamp.　　Bai ]+t is a /black-a
nd[-;%;white fil,(m s](ho?
t on h^!and-processed,) 16 (mm. Numero:*us cl((ose-u,-ps of fish , nets,; ,` lobsters, wellingt?on boot;+=s, knots?+/.- and catch baske]%ts bring to mind the[@ t/:heory of a ?montag/(e$= of att :@racti(+-o:/ns.; The depiction%: of` the dif^=fere$!nt so/cial strat=a – one could speak of `;c,*l@@
a[?+ss );;relations –_ .+is also ;!r ;eminiscent of the tradition) of social !+:realis#(m in British
 c`^i:_nema. 
.A%/bove all,%; howeve r, ;+a whole lot of =cu;_rrent p=$olitica +l: r*^/ele_va`nce is w).$a.%(%it:in`g to be di/:sc]%
over:_e:`?\d beneath the ,different @laye[#rs/ of *f:ilm historic@a[ @l references conta--/in@)e#d in the images.